Graham Dunning

“If the trend in recent dance music has been to artfully engineer a certain wonkiness into an otherwise strict digital framework, Dunning has found the appeal of the precise reverse: struggling to maintain grid-like rigidity in a system inherently antagonistic to it. – Wire Magazine”, August 2015

Originally a studio project for making recordings, I now also perform live using the Mechanical Techno method. Several looping records spin on the same axle, ensuring they stay approximately in time with each other. I layer up locked groove records, audio triggers to analogue sytnhs, mechanically played percussion such as a cowbell or a cymbal, and mechanically triggered drum machines. I take all these inputs and perform a live dub, mixing down to two channels live in one take.

Lee Scratch Perry described Dub as “the ghost in me coming out” – Using Mechanical Techno set-ups I aim to release the Ghost in the Machine. Each set-up is unique. The technique is inherently clumsy and delicate, leading to frequent and multiple mistakes and accidents. The chance elements and unpredictable aspects lead to compositions I would never think to deliberately make.